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Ayala is a painter who critically reimagines traditional portraiture as an act of transcendence. A contemporary descendant of the Andean diaspora (Quechua and Aymara) and a first-generation experience, she creates ethereal realms that honor oral traditions.
Blending vibrant oil and airbrush palettes, her deliberate use of mediums reflects the dualities within her subject matter. Oil evokes classical and religious references, while the airbrush functions as a personal, culturally recognized tool of remembrance.
Ayala’s practice combines research from authentic narratives with meditative imagery, where the sacred and surreal converge into spaces of sanctuary. Figures adorned with intuitive patterns are humanized, glorified as radiant embodiments that carry forward collective healing, and ancestral reclamation.
Vanessa Ayala (b. 1987) earned a BFA from California College of the Arts, San Francisco (2010). She has exhibited widely across the United States, including Women in Nature: Taking Up Space at the Evanston Art Center, IL, and made her museum debut in Living Indigenously at the Delaware Art Museum. A recipient of a Grammy Certificate in Graphic Art, her work has been featured in publications and recognized by global brands and cultural figures. Ayala works full-time as an Artist and currently lives in New York, NY.

Ayala (b. 1987) is a New York–based painter who reimagines traditional portraiture as an act of transcendence. A descendant of the Andean diaspora (Quechua and Aymara), she creates ethereal realms that honor oral traditions and ancestral memory. Blending vibrant oil and airbrush, her work explores dualities while figures adorned with intuitive patterns serve as metaphors for resilience and the human soul. Ayala holds a BFA from California College of the Arts, has exhibited nationally, including her museum debut at the Delaware Art Museum, and has been recognized by global brands and cultural figures.
Hi, Soul Family 🤍
I’m Vanessa. Ayala is my last name, my artist signature, and the heart of my brand. I’m a first-generation American with raíces Indígenas. My parents are from Ipiales, an Andean town in southern Colombia near the Ecuadorian border. I come from a lineage of strong women, five sisters, all deeply creative. Our father, a skilled woodcarver and carpenter, built much of our home with his own hands. Creativity wasn’t a hobby in our household; it was survival, expression, and love.
As a child, I was always drawing. I’d get in trouble at school for being lost in my imagination. Other kids would ask if I was an artist, but back then I didn’t know what that meant. Everything shifted when my sister helped me secure a spot at a performing arts high school in Kansas City. That moment changed my life. I spent my days studying painting, sculpture, and drawing, and my nights airbrushing clothes at the mall. One teacher saw something in me and encouraged me to apply to college. I earned a scholarship to the California College of the Arts in San Francisco.
Living in a big city on my own was challenging. I was a full-time student juggling three jobs just to stay afloat. Over time, I began to feel disconnected. I left the painting program because I didn’t yet understand that there was a space for me in the art world. I pivoted into animation and graphic design, which eventually led to an internship at Goodby Silverstein & Partners on the “Got Milk?” campaign. I was grateful for every skill I learned but my heart never left painting.
After reading The Power of Positive Thinking, I took a leap of faith and moved to New York with two suitcases and a deep curiosity about what I was capable of. I rented a room in the Bronx, and slowly my work began circulating on social media through influencers, entrepreneurs, and creatives. Years later, I found myself standing in a full-circle moment, giving an artist lecture for an art college. A student from Guatemala approached me and shared that it was the first time she truly felt seen in that space. That moment reminded me why I do this.
I thought about teenage me, searching for community, belonging, and representation. To now be able to offer that to another young artist is an honor I don’t take lightly. I am deeply grateful to have found purpose through my work. As a proud daughter of immigrants, I use my God given gifts to illuminate faces, stories, and voices that are often silenced. It is both a responsibility and a blessing to take up space, tell our stories, and inspire empowerment in others.
Thank you so much for being here and supporting this mission together.